Something of a miniature epiphany this. A vocal album sufficiently musicianly, substantial and in the instrumental tradition that it could equally well be filed under mainstream. Think vocal jazz automatically equals jazz-lite? Think again. Cloudburst is London-based Australian Kerr's fifth album and follows her fine '02 homage to Chet Baker, My Old Flame. This time she puts the Great American Songbook aside and offers fourteen hardcore jazz instrumentals, to which lyrics and/or vocalese have later been added, either by her or by earlier writers. The original composers are Coltrane, Mingus, Monk, Clifford Brown, Gerry Mulligan, Horace Silver, Mal Waldron, Tadd Dameron, Bill Evans, Lerov Kirkland & Jimmy Harris, Duke Pearson, Antonio Jobim, Ennio Morricone, and Freddie Hubbard. To say Kerr does justice to these guys—which she does—is really to say something. The arrangements are unfussy, and wholly unsweetened, and Kerr's warm and sensuous voice, particularly effective in the midrange, delivers straightforward and engaging readings. Key to the album's success is Kerr's band, a half dozen of London's finest, who're given plenty of space in which to stretch out and improvise. So, a vocal album for people who don't usually like vocal albums. Kerr is 100% real jazz musician, and Cloudburst is 100% real jazz. Things are looking up. "The inspiration for this album came after I heard John Coltrane’s ‘Moments Notice’. I thought it would be great to sing, so I wrote a lyric. I decided an entire Cd of material from the instrumental jazz repertoire would be an interesting and challenging concept for me. To pay tribute to the great solos played I added some vocalese lyrics either penned by myself or the master Jon Hendricks."